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专访:建筑作为(wei)一种呈现的(de)媒介

专访:建筑作为一种呈现的媒介

  • 分类:新闻资讯
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  • 发布时间(jian):2022-02-23
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专访:建筑作为一种呈现的媒介

【概要描述】快(kuai)速的(de)(de)城市化,不(bu)仅(jin)为我们(men)创造了(le)物质(zhi)文明的(de)(de)遗(yi)产,也为我们(men)身后制造了(le)大量的(de)(de)废(fei)弃(qi)物。我们(men)喜新厌旧(jiu)的(de)(de)心理,让众多老建(jian)筑遭到遗(yi)弃(qi)。798 地区(qu)的(de)(de)松下显像管厂已不(bu)再有过(guo)去(qu)近30 年的(de)(de)辉煌,遍体鳞伤(shang),满目(mu)疮痍,虽然破旧(jiu),不(bu)美,但却透出工(gong)业(ye)建(jian)筑的(de)(de)粗犷(guang),质(zhi)朴(po)与真实。

  • 分(fen)类(lei):新闻资讯
  • 作者:
  • 来源(yuan):
  • 发(fa)布时(shi)间:2022-02-23
  • 访问量:0
详情

民生美(mei)术(shu)馆是基于一个80 年代的工业建(jian)筑改造而成。它(ta)以开(kai)放性、多元性、灵(ling)活性,对今(jin)天(tian)美(mei)术(shu)馆的封闭(bi)性、单一性及固定性提(ti)出(chu)了挑战,将会成为中国当代艺术(shu)的最大的公共平(ping)台(tai)。

 

Minsheng Contemporary Art Museum is a renovation of an old factory from the 1980s. Its openness, diversity, flexibility make it different from typical galleries, which are always monotonous and secluded. It will be the largest public dedicated exhibition space for Chinese contemporary art.

 

▼美术(shu)馆外观,external view

 

 

 


 

▼入口,entrance

 

 

快速的(de)(de)城市化,不(bu)仅为(wei)我(wo)们(men)(men)创造(zao)了物质(zhi)文(wen)明的(de)(de)遗(yi)产(chan),也为(wei)我(wo)们(men)(men)身后制(zhi)造(zao)了大量的(de)(de)废弃(qi)物。我(wo)们(men)(men)喜新厌旧的(de)(de)心(xin)理(li),让众多老(lao)建筑遭到遗(yi)弃(qi)。798 地区的(de)(de)松下显像管厂已(yi)不(bu)再有过去近30 年的(de)(de)辉煌,遍体(ti)鳞伤(shang),满目疮痍,虽然(ran)破旧,不(bu)美(mei)(mei),但却透出(chu)工(gong)业(ye)建筑的(de)(de)粗(cu)犷,质(zhi)朴与真实(shi)。这些特(te)(te)征(zheng)恰和当代艺术(shu)(shu)的(de)(de)的(de)(de)态(tai)度不(bu)谋而合。民生现代美(mei)(mei)术(shu)(shu)馆(guan)(guan)的(de)(de)想(xiang)法正是在这种基础上诞生,它尊(zun)重(zhong)工(gong)业(ye)建筑朴素,真实(shi)的(de)(de)特(te)(te)质(zhi),顺势而为(wei),无用(yong)之(zhi)用(yong),直指当代艺术(shu)(shu)空间的(de)(de)未来(lai),挑(tiao)战(zhan)传统美(mei)(mei)术(shu)(shu)馆(guan)(guan)的(de)(de)冠冕堂皇。

 

The rapid urbanization brings us not only material civilization heritage, but also a huge amount of wastes. The propensity of love the new and loathe the old causes many old buildings being abandoned. The Panasonic factory at 798 area is devastated and ruined, but its rough, plain and real industrial building features happen to coincide with the attitude of contemporary art. The concept of Minsheng Contemporary Art Museum derives from the above, it respects the simplicity and reality of industrial buildings, aiming at the future of contemporary art space, challenging the high-sounding traditional art museum.


 

1. 空间多元,替(ti)代“白(bai)立方”单一空间模式

 

与传统艺(yi)术相比,当代艺(yi)术的(de)(de)一个(ge)显著(zhu)特(te)征(zheng)是其表(biao)(biao)现(xian)形(xing)式(shi)(shi)的(de)(de)多(duo)元,为了(le)成就这种特(te)征(zheng),民生现(xian)代美(mei)术馆(guan)不(bu)仅塑造(zao)了(le)传统美(mei)术馆(guan)中(zhong)5米净高的(de)(de)经典空(kong)间(jian),更(geng)有大小(xiao)不(bu)一,尺(chi)寸各(ge)异,层高显著(zhu)不(bu)同的(de)(de)空(kong)间(jian):大盒(he)子,中(zhong)盒(he)子,小(xiao)盒(he)子,经典空(kong)间(jian),院落(luo)展(zhan)览空(kong)间(jian),黑盒(he)子(多(duo)功能(neng)表(biao)(biao)演,会议,展(zhan)览空(kong)间(jian))去应对不(bu)同艺(yi)术形(xing)式(shi)(shi)的(de)(de)需(xu)求(qiu)。它们有机地组织在一个(ge)充(chong)满(man)张力的(de)(de)中(zhong)心空(kong)间(jian)周围,结合(he)美(mei)术馆(guan)前装置公园,屋顶展(zhan)览平台,中(zhong)心院落(luo)等开放式(shi)(shi)展(zhan)览空(kong)间(jian),构成一组尺(chi)度不(bu)同,形(xing)态(tai)各(ge)异的(de)(de)空(kong)间(jian)组群。

 

1. diversity of spaces, replacing single space pattern of “white cube”

 

Comparing to traditional art, a distinguishing feature of contemporary art is the diversity form of representation. In order to facilitate this, Minsheng Contemporary Art Museum not only has the 5 meters clear height space of traditional art museum, but also has spaces of different sizes and dimensions: big box, middle box, small box, classic space, courtyard exhibition space, black box(multi-function performance, convention, exhibition spaces). They are organized organically by the central space full of tension, combining with open exhibition spaces such as installation park in front of the art museum, exhibition platform on the rooftop, and central courtyard, forming a group of spaces with different dimensions and shapes.

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