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这些(xie)特征恰(qia)和当代艺术的的态度不谋(mou)而合(he)

这些特征恰和当代艺术的的态度不谋而合

这些特征恰和当代艺术的的态度不谋而合

【概(gai)要描述(shu)】快速的(de)(de)城(cheng)市(shi)化,不仅(jin)为我(wo)们(men)创造了物(wu)质(zhi)文明的(de)(de)遗产,也(ye)为我(wo)们(men)身后制造了大量的(de)(de)废(fei)弃物(wu)。我(wo)们(men)喜新厌旧(jiu)的(de)(de)心理,让(rang)众多老建(jian)筑遭到遗弃。798 地(di)区的(de)(de)松下(xia)显像管(guan)厂(chang)已不再有过去近30 年的(de)(de)辉煌,遍体鳞伤,满目(mu)疮痍,虽(sui)然破旧(jiu),不美,但却透出工业建(jian)筑的(de)(de)粗犷,质(zhi)朴(po)与真实。

详情

民(min)生美术馆(guan)是基于一(yi)(yi)个(ge)80 年(nian)代的(de)(de)工业建(jian)筑改造而(er)成。它以开(kai)放性(xing)(xing)、多(duo)元性(xing)(xing)、灵活性(xing)(xing),对今天美术馆(guan)的(de)(de)封闭(bi)性(xing)(xing)、单一(yi)(yi)性(xing)(xing)及固定(ding)性(xing)(xing)提出了(le)挑战,将会成为中国当代艺术的(de)(de)最大的(de)(de)公共平(ping)台。

 

Minsheng Contemporary Art Museum is a renovation of an old factory from the 1980s. Its openness, diversity, flexibility make it different from typical galleries, which are always monotonous and secluded. It will be the largest public dedicated exhibition space for Chinese contemporary art.

 

▼美术(shu)馆外(wai)观,external view

 

 

 


 

▼入口,entrance

 

 

快速(su)的(de)城市(shi)化,不仅为我(wo)们创造了物(wu)质(zhi)(zhi)文(wen)明(ming)的(de)遗(yi)产,也(ye)为我(wo)们身后制造了大量的(de)废(fei)弃物(wu)。我(wo)们喜新厌旧(jiu)的(de)心(xin)理,让众(zhong)多老建筑(zhu)遭到遗(yi)弃。798 地区(qu)的(de)松下显像管厂已不再有过(guo)去近30 年(nian)的(de)辉煌,遍体鳞伤(shang),满目疮痍,虽然破旧(jiu),不美,但却透出工业(ye)建筑(zhu)的(de)粗犷(guang),质(zhi)(zhi)朴与真(zhen)实。这些(xie)特(te)(te)征(zheng)恰和当(dang)代(dai)艺术(shu)的(de)的(de)态(tai)度不谋而合。民生现代(dai)美术(shu)馆(guan)的(de)想法(fa)正是在这种基础上诞生,它尊重工业(ye)建筑(zhu)朴素,真(zhen)实的(de)特(te)(te)质(zhi)(zhi),顺(shun)势(shi)而为,无用之用,直指当(dang)代(dai)艺术(shu)空间的(de)未来(lai),挑战传统美术(shu)馆(guan)的(de)冠冕堂皇。

 

The rapid urbanization brings us not only material civilization heritage, but also a huge amount of wastes. The propensity of love the new and loathe the old causes many old buildings being abandoned. The Panasonic factory at 798 area is devastated and ruined, but its rough, plain and real industrial building features happen to coincide with the attitude of contemporary art. The concept of Minsheng Contemporary Art Museum derives from the above, it respects the simplicity and reality of industrial buildings, aiming at the future of contemporary art space, challenging the high-sounding traditional art museum.


 

1. 空(kong)间(jian)多元,替代“白立方”单一(yi)空(kong)间(jian)模式(shi)

 

与传(chuan)统(tong)艺(yi)术(shu)相(xiang)比(bi),当(dang)代艺(yi)术(shu)的(de)(de)一个(ge)显著(zhu)特(te)征是其表现(xian)形式的(de)(de)多(duo)元,为了成就这种(zhong)特(te)征,民生现(xian)代美(mei)(mei)术(shu)馆(guan)(guan)(guan)不(bu)仅塑(su)造了传(chuan)统(tong)美(mei)(mei)术(shu)馆(guan)(guan)(guan)中5米净高的(de)(de)经典(dian)空间(jian),更有大小(xiao)(xiao)不(bu)一,尺(chi)寸各(ge)异,层高显著(zhu)不(bu)同(tong)的(de)(de)空间(jian):大盒子(zi),中盒子(zi),小(xiao)(xiao)盒子(zi),经典(dian)空间(jian),院落展(zhan)(zhan)览空间(jian),黑盒子(zi)(多(duo)功能表演,会议,展(zhan)(zhan)览空间(jian))去应(ying)对(dui)不(bu)同(tong)艺(yi)术(shu)形式的(de)(de)需求。它们有机地组(zu)织在一个(ge)充满张力的(de)(de)中心(xin)空间(jian)周围,结合美(mei)(mei)术(shu)馆(guan)(guan)(guan)前装置(zhi)公园,屋顶(ding)展(zhan)(zhan)览平台(tai),中心(xin)院落等开放式展(zhan)(zhan)览空间(jian),构成一组(zu)尺(chi)度不(bu)同(tong),形态各(ge)异的(de)(de)空间(jian)组(zu)群(qun)。

 

1. diversity of spaces, replacing single space pattern of “white cube”

 

Comparing to traditional art, a distinguishing feature of contemporary art is the diversity form of representation. In order to facilitate this, Minsheng Contemporary Art Museum not only has the 5 meters clear height space of traditional art museum, but also has spaces of different sizes and dimensions: big box, middle box, small box, classic space, courtyard exhibition space, black box(multi-function performance, convention, exhibition spaces). They are organized organically by the central space full of tension, combining with open exhibition spaces such as installation park in front of the art museum, exhibition platform on the rooftop, and central courtyard, forming a group of spaces with different dimensions and shapes.

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