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快速的(de)城市化,不仅为我们创造了物(wu)质文(wen)明的(de)遗产

快速的城市化,不仅为我们创造了物质文明的遗产

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  • 发布(bu)时间:2022-02-26
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快速的城市化,不仅为我们创造了物质文明的遗产

【概要描(miao)述】快速的(de)城市化(hua),不仅为我(wo)们创造了物(wu)质文明(ming)的(de)遗产(chan),也为我(wo)们身后制造了大量(liang)的(de)废弃物(wu)。我(wo)们喜新厌旧的(de)心理,让众多老建(jian)筑遭到(dao)遗弃。798 地(di)区的(de)松下显像管厂(chang)已不再(zai)有(you)过去近30 年(nian)的(de)辉煌(huang),遍体(ti)鳞伤,满目疮痍,虽(sui)然(ran)破(po)旧,不美,但却透出工(gong)业建(jian)筑的(de)粗犷,质朴与真(zhen)实。

  • 分类:新闻资讯
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  • 发布时间:2022-02-26
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详情

民生(sheng)美(mei)术(shu)馆是基于一个80 年代(dai)的(de)(de)(de)工业建筑(zhu)改造而成(cheng)。它以开放性(xing)(xing)、多元性(xing)(xing)、灵活性(xing)(xing),对(dui)今天美(mei)术(shu)馆的(de)(de)(de)封闭性(xing)(xing)、单一性(xing)(xing)及固定性(xing)(xing)提(ti)出了挑战,将会成(cheng)为中国(guo)当(dang)代(dai)艺术(shu)的(de)(de)(de)最大的(de)(de)(de)公共平台。

 

Minsheng Contemporary Art Museum is a renovation of an old factory from the 1980s. Its openness, diversity, flexibility make it different from typical galleries, which are always monotonous and secluded. It will be the largest public dedicated exhibition space for Chinese contemporary art.

 

▼美术(shu)馆外观(guan),external view

 

 

 


 

▼入口,entrance

 

 

快速的(de)(de)城市化,不(bu)仅为我(wo)们(men)创造了物(wu)质(zhi)文明(ming)的(de)(de)遗产(chan),也(ye)为我(wo)们(men)身后制造了大量(liang)的(de)(de)废弃(qi)物(wu)。我(wo)们(men)喜新厌旧的(de)(de)心(xin)理,让众多老建(jian)筑(zhu)遭(zao)到遗弃(qi)。798 地(di)区的(de)(de)松下(xia)显像管厂已不(bu)再(zai)有(you)过去近(jin)30 年的(de)(de)辉煌,遍体鳞伤,满目疮痍,虽(sui)然破旧,不(bu)美,但(dan)却(que)透出工业(ye)建(jian)筑(zhu)的(de)(de)粗犷,质(zhi)朴与真实。这(zhei)些特(te)征恰和当代(dai)艺术(shu)(shu)的(de)(de)的(de)(de)态度不(bu)谋而合。民生现代(dai)美术(shu)(shu)馆的(de)(de)想法正(zheng)是在这(zhei)种基础上诞生,它尊重工业(ye)建(jian)筑(zhu)朴素,真实的(de)(de)特(te)质(zhi),顺势而为,无用(yong)之用(yong),直(zhi)指当代(dai)艺术(shu)(shu)空(kong)间(jian)的(de)(de)未来,挑战传(chuan)统美术(shu)(shu)馆的(de)(de)冠冕堂(tang)皇(huang)。

 

The rapid urbanization brings us not only material civilization heritage, but also a huge amount of wastes. The propensity of love the new and loathe the old causes many old buildings being abandoned. The Panasonic factory at 798 area is devastated and ruined, but its rough, plain and real industrial building features happen to coincide with the attitude of contemporary art. The concept of Minsheng Contemporary Art Museum derives from the above, it respects the simplicity and reality of industrial buildings, aiming at the future of contemporary art space, challenging the high-sounding traditional art museum.


 

1. 空(kong)间(jian)多元(yuan),替代“白立方”单一空(kong)间(jian)模式(shi)

 

与(yu)传统艺(yi)术(shu)(shu)相(xiang)比(bi),当代(dai)(dai)艺(yi)术(shu)(shu)的(de)(de)(de)一个显著(zhu)特(te)征(zheng)是其(qi)表现(xian)(xian)形式(shi)的(de)(de)(de)多元,为了(le)成(cheng)就(jiu)这种特(te)征(zheng),民生现(xian)(xian)代(dai)(dai)美(mei)术(shu)(shu)馆(guan)(guan)不仅塑造了(le)传统美(mei)术(shu)(shu)馆(guan)(guan)中5米净高(gao)的(de)(de)(de)经(jing)典空(kong)(kong)间,更有大(da)小(xiao)不一,尺寸各异,层(ceng)高(gao)显著(zhu)不同(tong)的(de)(de)(de)空(kong)(kong)间:大(da)盒子,中盒子,小(xiao)盒子,经(jing)典空(kong)(kong)间,院落(luo)展览(lan)空(kong)(kong)间,黑盒子(多功能表演(yan),会议,展览(lan)空(kong)(kong)间)去应对不同(tong)艺(yi)术(shu)(shu)形式(shi)的(de)(de)(de)需(xu)求。它们(men)有机(ji)地组(zu)(zu)织在一个充满(man)张力的(de)(de)(de)中心(xin)空(kong)(kong)间周围(wei),结合美(mei)术(shu)(shu)馆(guan)(guan)前装(zhuang)置公园,屋顶展览(lan)平(ping)台,中心(xin)院落(luo)等开(kai)放式(shi)展览(lan)空(kong)(kong)间,构(gou)成(cheng)一组(zu)(zu)尺度不同(tong),形态各异的(de)(de)(de)空(kong)(kong)间组(zu)(zu)群(qun)。

 

1. diversity of spaces, replacing single space pattern of “white cube”

 

Comparing to traditional art, a distinguishing feature of contemporary art is the diversity form of representation. In order to facilitate this, Minsheng Contemporary Art Museum not only has the 5 meters clear height space of traditional art museum, but also has spaces of different sizes and dimensions: big box, middle box, small box, classic space, courtyard exhibition space, black box(multi-function performance, convention, exhibition spaces). They are organized organically by the central space full of tension, combining with open exhibition spaces such as installation park in front of the art museum, exhibition platform on the rooftop, and central courtyard, forming a group of spaces with different dimensions and shapes.

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