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这些特征恰和(he)当代艺术的的态度不谋而合

这些特征恰和当代艺术的的态度不谋而合

这些特征恰和当代艺术的的态度不谋而合

【概要描(miao)述】快(kuai)速的(de)(de)城市化,不仅为(wei)(wei)我们(men)(men)创造(zao)了物(wu)质文明的(de)(de)遗(yi)产,也(ye)为(wei)(wei)我们(men)(men)身后制(zhi)造(zao)了大量的(de)(de)废弃(qi)物(wu)。我们(men)(men)喜(xi)新厌旧(jiu)的(de)(de)心(xin)理,让众(zhong)多老建筑遭到(dao)遗(yi)弃(qi)。798 地(di)区的(de)(de)松下显像管(guan)厂已不再有过去(qu)近30 年的(de)(de)辉煌,遍体鳞伤,满目疮痍,虽然破旧(jiu),不美,但(dan)却透出(chu)工业(ye)建筑的(de)(de)粗犷,质朴与真(zhen)实(shi)。

详情

民生美术(shu)馆是基于一(yi)个80 年代的(de)工业(ye)建筑改造而成。它以开放性(xing)(xing)(xing)、多元性(xing)(xing)(xing)、灵活性(xing)(xing)(xing),对今天美术(shu)馆的(de)封闭性(xing)(xing)(xing)、单(dan)一(yi)性(xing)(xing)(xing)及(ji)固定性(xing)(xing)(xing)提出了挑(tiao)战,将(jiang)会成为中国(guo)当代艺术(shu)的(de)最大的(de)公共平(ping)台。

 

Minsheng Contemporary Art Museum is a renovation of an old factory from the 1980s. Its openness, diversity, flexibility make it different from typical galleries, which are always monotonous and secluded. It will be the largest public dedicated exhibition space for Chinese contemporary art.

 

▼美术馆(guan)外观,external view

 

 

 


 

▼入口,entrance

 

 

快速的(de)(de)城市(shi)化,不仅为(wei)(wei)我(wo)们(men)创造了物质文(wen)明的(de)(de)遗(yi)产,也为(wei)(wei)我(wo)们(men)身后(hou)制造了大量(liang)的(de)(de)废弃物。我(wo)们(men)喜新厌旧的(de)(de)心理(li),让众(zhong)多老建筑遭到遗(yi)弃。798 地(di)区的(de)(de)松下显像管厂(chang)已(yi)不再有(you)过(guo)去(qu)近30 年的(de)(de)辉煌,遍(bian)体(ti)鳞伤,满目疮痍,虽然破旧,不美,但却透出工(gong)业建筑的(de)(de)粗犷,质朴(po)与(yu)真(zhen)实(shi)。这些特(te)征恰和(he)当(dang)代艺(yi)术(shu)的(de)(de)的(de)(de)态(tai)度不谋而(er)合。民生现代美术(shu)馆(guan)的(de)(de)想(xiang)法(fa)正是(shi)在这种基础上诞生,它尊重工(gong)业建筑朴(po)素,真(zhen)实(shi)的(de)(de)特(te)质,顺势而(er)为(wei)(wei),无用之用,直指(zhi)当(dang)代艺(yi)术(shu)空间的(de)(de)未来,挑战传统美术(shu)馆(guan)的(de)(de)冠冕(mian)堂(tang)皇。

 

The rapid urbanization brings us not only material civilization heritage, but also a huge amount of wastes. The propensity of love the new and loathe the old causes many old buildings being abandoned. The Panasonic factory at 798 area is devastated and ruined, but its rough, plain and real industrial building features happen to coincide with the attitude of contemporary art. The concept of Minsheng Contemporary Art Museum derives from the above, it respects the simplicity and reality of industrial buildings, aiming at the future of contemporary art space, challenging the high-sounding traditional art museum.


 

1. 空间多元,替代(dai)“白立方”单一空间模式

 

与(yu)传统艺(yi)(yi)术(shu)相比,当代(dai)艺(yi)(yi)术(shu)的(de)(de)一(yi)个显著(zhu)特征(zheng)是其表(biao)现形(xing)式(shi)的(de)(de)多元,为了(le)成就这(zhei)种特征(zheng),民生(sheng)现代(dai)美(mei)(mei)术(shu)馆(guan)不(bu)仅塑造了(le)传统美(mei)(mei)术(shu)馆(guan)中5米净高的(de)(de)经典空(kong)(kong)间(jian)(jian)(jian),更有大小不(bu)一(yi),尺寸各异(yi),层高显著(zhu)不(bu)同(tong)的(de)(de)空(kong)(kong)间(jian)(jian)(jian):大盒(he)子,中盒(he)子,小盒(he)子,经典空(kong)(kong)间(jian)(jian)(jian),院(yuan)(yuan)落(luo)展(zhan)览空(kong)(kong)间(jian)(jian)(jian),黑盒(he)子(多功能表(biao)演,会议(yi),展(zhan)览空(kong)(kong)间(jian)(jian)(jian))去应(ying)对不(bu)同(tong)艺(yi)(yi)术(shu)形(xing)式(shi)的(de)(de)需(xu)求(qiu)。它们(men)有机地组(zu)织在一(yi)个充(chong)满张力的(de)(de)中心(xin)空(kong)(kong)间(jian)(jian)(jian)周围,结合美(mei)(mei)术(shu)馆(guan)前装置公园,屋顶展(zhan)览平台,中心(xin)院(yuan)(yuan)落(luo)等开放式(shi)展(zhan)览空(kong)(kong)间(jian)(jian)(jian),构成一(yi)组(zu)尺度不(bu)同(tong),形(xing)态(tai)各异(yi)的(de)(de)空(kong)(kong)间(jian)(jian)(jian)组(zu)群(qun)。

 

1. diversity of spaces, replacing single space pattern of “white cube”

 

Comparing to traditional art, a distinguishing feature of contemporary art is the diversity form of representation. In order to facilitate this, Minsheng Contemporary Art Museum not only has the 5 meters clear height space of traditional art museum, but also has spaces of different sizes and dimensions: big box, middle box, small box, classic space, courtyard exhibition space, black box(multi-function performance, convention, exhibition spaces). They are organized organically by the central space full of tension, combining with open exhibition spaces such as installation park in front of the art museum, exhibition platform on the rooftop, and central courtyard, forming a group of spaces with different dimensions and shapes.

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