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民生美术馆是(shi)基于一个80 年代的工业建筑改(gai)造而成

民生美术馆是基于一个80 年代的工业建筑改造而成

  • 分类:新闻资讯
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  • 发布(bu)时间:2022-02-26
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民生美术馆是基于一个80 年代的工业建筑改造而成

【概要描述】快速的城市化,不仅为(wei)我(wo)们创造了物(wu)(wu)质文(wen)明的遗(yi)产,也为(wei)我(wo)们身(shen)后制造了大量的废弃物(wu)(wu)。我(wo)们喜新厌旧(jiu)的心理,让众多(duo)老(lao)建(jian)筑(zhu)遭到遗(yi)弃。798 地区的松下显像(xiang)管(guan)厂(chang)已不再有过去近30 年的辉煌,遍体鳞伤(shang),满目疮痍,虽然破旧(jiu),不美,但却透出工业建(jian)筑(zhu)的粗(cu)犷,质朴与真实。

  • 分类(lei):新闻资讯
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  • 发布时间:2022-02-26
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民生(sheng)美术(shu)馆(guan)是(shi)基于一个(ge)80 年(nian)代的(de)工业建筑改造而(er)成。它(ta)以开(kai)放性、多(duo)元性、灵活性,对(dui)今(jin)天美术(shu)馆(guan)的(de)封闭(bi)性、单一性及固定性提出了(le)挑战,将(jiang)会成为中国当(dang)代艺术(shu)的(de)最大的(de)公共平台。

 

Minsheng Contemporary Art Museum is a renovation of an old factory from the 1980s. Its openness, diversity, flexibility make it different from typical galleries, which are always monotonous and secluded. It will be the largest public dedicated exhibition space for Chinese contemporary art.

 

▼美术馆外观,external view

 

 

 


 

▼入口,entrance

 

 

快速(su)的(de)(de)(de)城市化(hua),不(bu)(bu)仅为(wei)我(wo)们创造了物质(zhi)文明的(de)(de)(de)遗产,也为(wei)我(wo)们身后制造了大(da)量的(de)(de)(de)废弃物。我(wo)们喜新厌旧的(de)(de)(de)心理,让众多老建(jian)筑遭到遗弃。798 地区的(de)(de)(de)松(song)下(xia)显像(xiang)管厂已不(bu)(bu)再有过去近30 年的(de)(de)(de)辉煌(huang),遍体(ti)鳞伤(shang),满目疮痍,虽然破旧,不(bu)(bu)美(mei),但却透出工(gong)业建(jian)筑的(de)(de)(de)粗(cu)犷(guang),质(zhi)朴(po)与真实(shi)。这些特(te)征恰和当(dang)代艺(yi)术(shu)的(de)(de)(de)的(de)(de)(de)态度不(bu)(bu)谋而(er)合。民(min)生现代美(mei)术(shu)馆的(de)(de)(de)想法正是在这种基础上诞生,它尊重工(gong)业建(jian)筑朴(po)素,真实(shi)的(de)(de)(de)特(te)质(zhi),顺势而(er)为(wei),无用(yong)之用(yong),直(zhi)指当(dang)代艺(yi)术(shu)空(kong)间的(de)(de)(de)未来(lai),挑(tiao)战传(chuan)统美(mei)术(shu)馆的(de)(de)(de)冠冕堂皇。

 

The rapid urbanization brings us not only material civilization heritage, but also a huge amount of wastes. The propensity of love the new and loathe the old causes many old buildings being abandoned. The Panasonic factory at 798 area is devastated and ruined, but its rough, plain and real industrial building features happen to coincide with the attitude of contemporary art. The concept of Minsheng Contemporary Art Museum derives from the above, it respects the simplicity and reality of industrial buildings, aiming at the future of contemporary art space, challenging the high-sounding traditional art museum.


 

1. 空间(jian)(jian)多(duo)元,替代“白立方”单一空间(jian)(jian)模式

 

与传统(tong)艺术(shu)(shu)相比(bi),当代艺术(shu)(shu)的(de)一(yi)(yi)个(ge)显著特征是(shi)其(qi)表(biao)(biao)现形式的(de)多元,为了成就这种(zhong)特征,民生现代美术(shu)(shu)馆不(bu)仅塑造了传统(tong)美术(shu)(shu)馆中5米(mi)净高(gao)的(de)经典(dian)空间(jian)(jian),更有大小(xiao)不(bu)一(yi)(yi),尺(chi)寸各异(yi),层(ceng)高(gao)显著不(bu)同(tong)的(de)空间(jian)(jian):大盒(he)(he)(he)子,中盒(he)(he)(he)子,小(xiao)盒(he)(he)(he)子,经典(dian)空间(jian)(jian),院落展(zhan)览空间(jian)(jian),黑盒(he)(he)(he)子(多功能表(biao)(biao)演(yan),会议,展(zhan)览空间(jian)(jian))去应对不(bu)同(tong)艺术(shu)(shu)形式的(de)需求。它们有机地(di)组织在一(yi)(yi)个(ge)充满张力的(de)中心(xin)空间(jian)(jian)周围,结合美术(shu)(shu)馆前(qian)装置(zhi)公(gong)园,屋顶展(zhan)览平台,中心(xin)院落等开放式展(zhan)览空间(jian)(jian),构(gou)成一(yi)(yi)组尺(chi)度不(bu)同(tong),形态各异(yi)的(de)空间(jian)(jian)组群(qun)。

 

1. diversity of spaces, replacing single space pattern of “white cube”

 

Comparing to traditional art, a distinguishing feature of contemporary art is the diversity form of representation. In order to facilitate this, Minsheng Contemporary Art Museum not only has the 5 meters clear height space of traditional art museum, but also has spaces of different sizes and dimensions: big box, middle box, small box, classic space, courtyard exhibition space, black box(multi-function performance, convention, exhibition spaces). They are organized organically by the central space full of tension, combining with open exhibition spaces such as installation park in front of the art museum, exhibition platform on the rooftop, and central courtyard, forming a group of spaces with different dimensions and shapes.

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